Amassing over 2 billion streams, British four-piece Glass Animals is led by singer/songwriter/producer Dave Bayley with bandmates and childhood friends Joe Seaward, Ed Irwin-Singer & Drew MacFarlane. A fan favorite, their album How To Be A Human Being was one of the most critically acclaimed records of 2016. Now, Glass Animals is back with new album DREAMLAND. Featuring hit singles “Tokyo Drifting” with Denzel Curry and “Your Love (Déjà Vu)”.

How To Be A Human Being has received praise from various press outlets, including Billboard, Pitchfork, The FADER, The Guardian, The Telegraph and more. Glass Animals has also made appearances on Jimmy Kimmel Live!, The Late Show with David Letterman, Late Night with Seth Meyers and The Late Late Show with James Corden. As well as producing both of Glass Animals’ studio albums, ZABA and How To Be A Human Being, Dave has worked with a number of artists outside of the band, including 6lack, Khalid, Joey Bada$$, DJ Dahi, Flume and MorMor.

Vinyl LP pressing. 2020 release. Washed Out is Atlanta-based producer/songwriter/multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date. For Purple Noon, Greene again wrote, recorded, and produced the entirety of the album, with mixing handled by frequent collaborator Ben H. Allen (Paracosm, Within and Without). Production of the album followed a brief stint of writing for other artists (most notably Sudan Archives) which enabled Greene to explore genres like R&B and modern pop. These brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there's a more comprehensive depth of dynamics. Capism of Washed Out's oeuvre, taking the music to dazzling new heights.

BRONSON, the brand new group by ODESZA and Golden Features, unveils their debut self-titled album on Foreign Family Collective / Ninja Tune. BRONSON is available on clear LP, limited edition black and yellow LP, and CD. GRAMMY-nominated duo ODESZA and acclaimed Australian producer Golden Features have come together to form the powerhouse group BRONSON. The self-titled album BRONSON pushes the soundscapes of their previous projects to explore the darker edges of dance music. The LP features heavyweight collaborations from lau.ra of Ultraista, Gallant, and Totally Enormous Extinct Dinosaurs. The BRONSON album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition.

Luke Bryan will be releasing his latest album on August 7th. `Born Here Live Here Die Here' includes the #1 hit "Knockin' Boots" and his current hit single "Whatever She Wants Tonight". Bryan is known for his catchy, chart-topping tracks like ""Country Girl Shake It For Me" which was included in Billboard Magazine's "100 Songs that Defined a Decade" list out last month.

“Whoosh!” sees Deep Purple for the third time joining forces with producer Bob Ezrin, who invited the band to Nashville to write and record new songs. Together they created the most versatile album in their collaboration.

Deep Purple “stretched out in all directions” without any limitation, letting their creativity go. “Deep Purple is putting the Deep back into Purple” was the half-joking motto in the studio after the first songs made it clear that Ezrin and Purple were on their path to creating an album pushing the boundaries of time, while voicing their resentment about the current situation of the world and addressing all generations.

In recent years, Deep Purple has progressively moved into new areas, piquing the interest of fans who were not born when the mighty Purple machine ruled the music world. Their holy grail of “In Rock” (1970), “Machine Head” (1972) and “Made In Japan” (1973) catapulted Deep Purple to the top in concert grosses and album sales around the world, with tracks such as “Smoke On The Water” ascending them to mega-status.

The band’s 20th studio album “inFinite” has become one of their most successful albums ever, braking chart records accumulated by the hard rock legends over an impressive 50-year history.

DVD included

Roger Glover and Bob Ezrin in conversation
(approx. 1h long in-depth talk during the mixing of “Whoosh!”, filmed in London)
Live At Hellfest 2017
(previously unreleased)

Laura Marling’s exquisite seventh album ‘Song For Our Daughter’ arrives almost without pre-amble or warning in the midst of uncharted global chaos, and yet instantly and tenderly offers a sense of purpose, clarity and calm. As a balm for the soul, this full-blooded new collection could be posited as Laura’s richest to date, but in truth it’s another incredibly fine record by a British artist who rarely strays from delivering incredibly fine records. Taking much of the production reins herself, alongside long-time collaborators Ethan Johns and Dom Monks, Laura has layered up lush string arrangements and a broad sense of scale to these songs without losing any of the intimacy or reverence we’ve come to anticipate and almost take for granted from her throughout the past decade.

Third Man Records is excited to announce The Stooges' Live At Goose Lake: August 8, 1970. This previously-unheard, high-quality soundboard recording of the original Stooges lineup's final performance -- recorded just before the release of their earthshaking 1970 album Fun House -- will be available on vinyl, CD and digital on August 7, 2020, nearly 50 years to the day after the performance. 

Triple 180gm vinyl LP pressing in gatefold jacket. Live archive release. Live recordings from 1968 and 1970 have recently been discovered of Peter Green's Fleetwood Mac. Not much is known about the live recordings. Discovered unlabeled and by pure luck in the US, their era has been authenticated by experts of the band's blues origins. Fleetwood Mac has given their full approval for the release of these tapes. Peter Green's Fleetwood Mac had a short but hugely prolific career, with the Vol. 1 1968 recording being at the early stages of the band, and this Vol. 2 1970 recording will, in contrast, be one of their final shows before Peter left the band. The recordings were discovered in incredibly good condition considering they have been untouched for over 40 years; they have been restored and provide a vital insight into the very earliest incarnation of one of the world's biggest bands.

Jenny O. will be releasing her third LP via Mama Bird Recording Co on 6/19.

“New Truth is what is or what happens now that things have changed or information has come to light. It is also a new imminent style or manner of being, ideally improved and joyful.” - Jenny

Sometime in 2006 or 2007, Jason Molina moved from the midwest to London. Separated from his bandmates and friends and never one for idleness, Molina explored his new home with fervor. Sometimes he'd head out on foot, often with no destination in mind. Other times, he'd pick a random tube stop and find his way back home. He'd pick up on arcane trivia about London's rich history, and if the historical factoids weren't available - or weren't quite to his liking - Molina was quite comfortable conjuring his own history. His adoration of The Great American Tall Tales like John Henry and Paul Bunyan's blue ox Babe stretched across the Atlantic, where he created his own personal Tall Tales. And when he learned of the London Wall's seven gates (itself a misconception), Molina went ahead and called it eight, carving out a gate just for himself. The eighth gate was Molina's way into London, a gate only passable in the mind.

Fast forward to 2008, Molina set off on an experimental solo tour through Europe. While in Northern Italy, Molina claimed to have been bitten by a rare, poisonous spider. A debilitating bout of illness ensued. "I was in the hospital here in London," Molina wrote in a letter. "Saw six doctors and a Dr. House-type guy. They are all mystified by it, but I am allowed to be at home, where I am taking a dozen scary Hantavirus type pills a day that are all to supposedly help - but they make me feel like shit." There is no record of a single doctor visit, not any prescription record for these medications. It is entirely plausible there was no spider and that whatever was keeping him indoors during this time was entirely self-induced. While at home, he of course wrote songs. Molina also claimed that during this time, he fed several bright green parrots that would gather in his yard. While often associated with a greyscale sensibility, Molina was oft-clad in a Hawaiian shirt and had, at least in part, selected the name Songs: Ohia for his first project as a nod to Hawaii's 'Ohi'a lehua flower. Which is all to say, the tropical element the parakeets brought to those sick days delighted Molina. He made short, crude field recordings of them with his trusty four-track. Only once Molina was officially on the mend and re-exploring the streets of London would he learn that those parrots had their own fabled tale. Back in the 60s, Jimi Hendrix - in a moment of psychedelic clarity - released his pair of lime green ring-necked parakeets from their cage, setting them free into the London sky. Now, their decendents are spotted regularly around certain parts of the city. Or so we're told. Eight Gates is the last collection of solo studio recordings Molina made before he passed from complications related to alcoholism in 2013. Recorded in London around the time of the supposed spider bite and Jimi's supposed parakeets, some of the songs ("Whispered Away," "Thistle Blue") are fully-realized - dark, moody textures that call to mind his earlier work on The Lioness. Knowing what we know about those parakeets and their peppered presence on the recordings, one can't help but think of that colorful tree of birds on Talk Talk's classic Laughing Stock, certainly a spiritual guide for much of the set. Other songs ("She Says," "The Crossroads and The Emptiness") lay in a more unfinished states, acoustic takes that call to mind Molina's Let Me Go Let Me Go Let Me Go, and still tethered to Molina's humorous studio banter. You remember how young Molina was, and how weighty this art was for such a young man. On the closer, "The Crossroads and The Emptiness," Molina snaps at the engineer before tearing into a song in which he sings of his birthday (December 30), a palm reading and the great emptiness with which he always wrestled. It is a perfect closer and, in many ways, the eighth gate incarnate: mythical, passable only in the mind, built for himself and partway imaginary but shared, thankfully, with us.

To commemorate the 20th Anniversary of his debut album, A New Day Yesterday, Joe Bonamassa is releasing a newly re-mixed and re-recorded version called, A New Day Now. Joe re-sang all the vocals over and played new guitar tracks on some songs too. Kevin Shirley remixed the album. This version includes 3 bonus tracks produced by Stevie Van Zandt (written by Stevie and Joe) which were demos from the 90's that never made it on to any records. Never heard before vintage Joe!

Vinyl LP pressing. Sound Wheel is artist and musician Alison Mosshart's first solo spoken word album and companion piece to her new printed collection of paintings, photographs, short stories and poetry, Car Ma. It is an album about cars, rock n' roll, and love. It's an album about America, performance, and life on the road. It's an album about fender bender portraiture, story tellin' tire tracks, and the never-ending search for the spirit under the hood. Mosshart imagines the auto body shop like some other Coney Island. And America's highways - the last great roller coasters. She shows us that the engine on fire is connected to the guitar feeding back since birth. And the sensation of walking on stage and facing an audience is like the laugh before the scream in a car without brakes. Mosshart ruminates that automobiles-with their doors and mirrors and windows, engines and wheels and radios- portray us. Mirror our need to be in or to exit, our inward reflections and outward visions, our lifetimes of tinkering with the mysterious heart. That which runs until it doesn't.

Developed by LucasArts, this Star Wars video game quickly sold 1 million copies for the Nintendo 64 system. A Windows version followed and sold out reissues keep the game in consumer consciousness. The soundtrack was created by Grammy winning composer, Joel McNeely, and recorded w/ the Royal Scottish National Orchestra. The art features the main Star Wars characters and was created by legendary illustrator, Drew Struzan, (Blade Runner, Indiana Jones, Back to the Future).

This sumptuous vinyl brings together all of Parker's 78 RPM singles for Clef Records, recorded in January and August 1951, and features a veritable line-up of jazz greats including Miles Davis, Charles Mingus, Gil Evans, Max Roach, Roy Haynes, Kenny Clarke and John Lewis Showcasing many of Parker's best-known compositions, including `Au Privave', `Si Si' and `Swedish Schnapps', and features the classic David Stone Martin cover and original Clef labelling.

Lost At Midnight is the mesmerizing debut album from critically-acclaimed electronic-pop producer, OTR. Featuring Vancouver Sleep Clinic and emerging artist Saint Sinner, the album cuts right to the heart with poignant piano melodies and elegantly sculpted beats. Standout tracks include “Heart” ft. Shallou (a hit #1 on the Sirius XM Chill chart), ‘Broken’ ft. Au/Ra, ‘Drive’ ft. Panama, and ‘Midnight Sun’ with Ukiyo which is also featured on the Netflix film ‘To All The Boys: P.S. I Love You’. Standard packaging with spot UV LP.

Set in the dazzling world of the LA music scene comes the story of Grace Davis (Tracee Ellis Ross), a superstar whose talent, and ego, have reached unbelievable heights. Maggie (Dakota Johnson) is Grace's overworked personal assistant who's stuck running errands, but still aspires to her childhood dream of becoming a music producer. When Grace's manager (Ice Cube) presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever.

One of the first and best concert documentaries on Elvis, shot during his 1970 Las Vegas Strip appearances, features rare backstage footage, interviews with fans, and over two dozen songs-"Suspicious Minds," "Love Me Tender," "Bridge Over Troubled Water," "In the Ghetto," "Can't Help Falling in Love," and more-as only the King of Rock 'n' Roll could perform them. PG-rated version; 108 min./2001 special edition; 96 min. Widescreen; Soundtrack: English.

Experience the 1960s British Invasion phenomenon when three of the biggest and most influential bands ever, The Beatles, The Rolling Stones and The Who, exploded in popularity in the United States. This amazing 5-documentary journey includes The Beatles: A Long and Winding Road (2003/90 min), The Rolling Stones: Just for the Record (2002/90 min), Inside John Lennon (2003/80 min), Brian Epstein: Inside the 5th Beatle (2004/68 min) and The Who: The Las Vegas Job (2006/115 min). 3 DVDs. Color-b&w/NR/fullscreen & widescreen.

Brussels, 1815: At the Duchess of Richmond's ball, nouveau riche tradesman's daughter Sophia Trenchard (Emily Reid) got the notice of nobleman's son Edmund Bellasis (Jeremy Neumark Jones)-to the apprehension of their respective mothers (Tamsin Grieg, Harriet Walter). That night's repercussions would be felt by both clans a full quarter-century later, in this lush miniseries adapted by Julian Fellowes from his novel. Tom Wilkinson, Philip Glenister, Alice Eve also star. 4 3/4 hrs on two discs. Widescreen; Soundtrack: English Dolby Digital 5.1; Subtitles: English (SDH); "making of" featurette.